Visitors to “X. Laevis (Spacelab),” John Gerrard’s recent exhibition at New York’s Simon Preston Gallery, were confronted with one of the more surreal sights at any New York gallery this summer: a ...
In both instances, tIn both instances, the post-digital signals awareness and savvy; a calculated world-weariness that has seen through the so-called “disruptive” promise of the digital. One need only ...
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